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Through Equus, Shaffer explores the meaning and importance of existence in late twentieth century England. The play was set in the mid-seventies and the issues raised challenge and bewilder audiences to this today.
Peter Shaffer explores the possibility of the world being over come by convention and whether our own humanity gets replaced with normality when we fear this industrialised world.
He wanted to make us question everything and make the audience insecure by persuading them that they are the mad ones for not having a passion. The issues raised in the play are still extremely relevant to today's society and audience, probably more relevant than when it was set in the seventies.
I think the playwright is saying that you can't have normality and passion you can only have one or the other. Dysart symbolised a prosaic dull normality and Alan, an exciting personal passion. The playwright could be saying that everyone's missing something, some more than others. Alan has a passion but lacks dramatically in the social areas and aspects of life, especially with Jill being his first ever girl friend. Dysart receives the social intake throughout his job but does not have a passion of his own. Therefore can we define what normal is? We can, but only in the society we live in.
Although Dysart is far superior compared with Alan in the amount of authority he holds being a psychiatrist, Alan is always in control of their conversations. Dysart seems to let him carry the situations maybe he fed off his desires and approaches on different aspects of life. The roles are reversed within the status issues. It's debatable whether he was helped by Alan, he might have been inspired. He is scared of freeing himself from his normal conventional life, to go out into reality and to find his passion. Maybe he looks for primitive passion within his history rather than his love. I think the playwright is saying we are destroying what makes life exciting. The realisation of Dysart's lack of passion, is his major weakness, especially when he starts to doubt himself whilst trying to recognise if playing God is right.
Dysart can get rid of Alan's demons but he could destroy his passion in the process. Although Dysart envies Alan with his strong desires he can't say that spiking horses in their eyes is right. This is why he is in this emotional turmoil because there are no real or easy answers.
Shaffer represents Dysart as a very Freudian psychiatrist and, Equus a very Freudian play. Involving many of his theories linking to psycho analyse. Freud believed that when an individual is at the early stages of adolescent a decision needs to made on various sexual relationships etc.He also believed that society had a big in put into deciding an individual's vocational interest. But because Dysart isn't familiar with sexual relations, it's hard for him to judge and understand Alan's crave for the sexual interaction with the horses. But Dysart begins to understand that the two sexual relationships that Alan had were mixed up. As one of them was forced and the other one provoked. Also, Alan's vocational interest and sexual experiences were as one. So this would most definitely cause confusion. He also thought that at one point in time only a strong element of an individual's life can be stable, for example (sexual relations) and the other significant element in complete pandemonium, i.e. (religious beliefs). In Alan's case it was both of these that were predominantly unstable and both of these that caused him to commit his unconceivable crime.
The initial concept of the play The playwright heard from a friend, that someone had blinded six horses with a metal spike in some local stables and he wanted to gain an understanding of how it could have happened through his play, not an acceptance an understanding. The play strongly relies on a search for a personal meaning in life and the human need to worship.
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