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Dance ExamSarah Harpur


Steps and Points to remember


Demi Plie and Eleve-Bottom tight


-Continuous and fluid movement



-Eyeline up


-Correct posture


Foot Articulation- Use the floor


-Bottom tucked in


-Keep heel forward


-Good posture


Passe and Prep. For Jete- Side of foot on side of the knee in pass position


-Knee back in Passe


-Sharp foot work in preparation for jete


-Sherp foot work in pass


Saute- Heels down in demi plie



-Bottom in



-Point toes in jump



-Chin up



Ballet Arms- Arms soft, but well formed


-Good posture


-Follow leading arm with eyes


-Continuous movement


Jazz Arms- Spread fingers wide apart


-Arms forward of body


-Sharp head and arm movements


-Keep arms dead straight when required


1st Warm Up- Shoulders down when lifting up arms


-Flat back must be flat and parallel to floor


-Side bend should be directly to the side


-Sharp arm movement


nd Warm Up- Pelvic tilts should be subtle


-Show differentiation between parallel and turned out feet


-Don't go to far up in the sit ups


-Keep back straight when sitting on the floor


Isolations- Sharp, precise movements


-Do not move the torso


-Keep shoulders still in head and hip isolations


-Keep stomach pulled in throughout


Spotting- Quick head movements


-Focus eyes in the same direction as the head


-Don't turn around too far before the ½ turn


-Maintain good posture


Preparation for turns- Both legs straight on the kick


-Good posture throughout


-Sharp arm movements


-Snappy leg movements


1st Amalgamation - Use the space


-Spot head on pivot


-Balls of feet remain grounded on chasse


-Passe position must be correct on jump


nd Amalgamation- Use a lot of space, especially in the directional change


-End pose sharp, not drawn out


-Arms at shoulder height in directional change


-Kick ball change must be correct.


Combination- Keep movements clear and precise


-Ensure technical moves are correct, eg. Gallop, kick ball change, directional change.


-Use the space


-Present yourself to the audience


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