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Myth and Reality
By exploring myths, we can explain our own personal circumstances.In Mother Love (15), Rita Dove explores the relationships between mother and daughter through the redefinition of Demeter and Persephone's myth.In fact, by reimagining the myth one can obtain many resonances with the present.This is the important point of Rita Dove's work the fact of considering past close to the present, or coexisting with it.
In this paper, I will try to analyze the sonnet Demeter's Mourning, as a clear example of how our personal experience can be reinterpreted many times looking back into the backgrounds of our culture, because in every single individual there is this "Great Mind" which it was defined by Yeats.In this sense time and history represents our individual existence.And this is the point of Dove's Literature.By revitalizing the language, by redefining not only the Afro-American tradition (as Hughes or Brooks did), but also the universal concepts of Love, Died, History, Time, etc., with an accurate use of American English, she has gave a new impulse to American Language with the use, why not, of classical forms, as sonnets, odes, vitanelle, and so on (Vendler 6-6).
First of all, we have to say that Rita Dove is one of the most important figures in the Contemporary History of American Poets. Poet Laureate of the United States and Consultant in Poetry from 1 to 15.The poet was born in 15 in Ohio; she decided to be a poet when being only a child.She grew up in a scientific environment (his father was a chemist) and her motivation for reading father's book written in German made her to learn this language.She was Summa cum laude from Miami University of Ohio, and Full bright Scholar in Germany.She received her Master of Fine Arts degree at the University of Iowa.It was there where she met her husband to be, German novelist and playwright Fred Viebahn.Together, the two currently reside in Charlottesville, Virginia with their daughter Aviva. She is presently a Commonwealth Professor of English at the University of Virginia where she teaches creative writing. She has published, among others, six poetry collections, among them Thomas and Buelah, which were awarded the Pulitzer Prize in 187. She is also the author of the novel Through the Ivory Gate and the drama The Darker Face of the Earth, which premiered at the Oregon Shakespeare Festival in 16 and was subsequently produced at the Kennedy Center in Washington, D.C., and other theaters. Her song cycle Seven for Luck, with music by John Williams, was first performed with the Boston Symphony Orchestra at Tanglewood in 18. Her last work is On the Bus with Rosa Parks (1).
It has to be said that when Dove began to work with this particular myth, her daughter, Aviva, was five years old.Influenced by German literature, she began to write about Demeter, a female divinity, in the same way that Rilke had written his Orpheus, a male.The result was a deep analysis of intertextuality of myth and reality, both linked by certain psychological mechanisms inserted in our memory and in our emotions.
At first, we must say that Mother Love is a whole sonnet cycle.It is not by chance, of course, that Dove chooses this poetical form to develop her personal story.Sonnet reflects love explicitly.The lover, Persephone (Aviva), is an ideal object, for which the speaker tries to obtain her feeling.Looking back into the greatest poets (Spenser, Sidney, Shakespeare) we acknowledge how sometimes there is not a practical realization of this desire, circumstance that transforms love into suffering, ideal world.Demeter suffers eternity because she does not accept that her daughter is have being raped by Hades and went to Underground.This suffering is transformed into mourning, which it is repeated any time by making the earth infertile, the plant life ceases to grow.
Demeter Mourning as the title of the poem it can represents several aspects of any mother's mind.Demeter is the goodness of Goddess of the earth, agriculture and fertility, is the last creator of life and she is eternal as well as her agony by loosing physical proximity with her daughter.She realizes this new reality.Dove realizes that Aviva is growing up, that physical separation (when the daughter, for example, goes to school) is not eternal (as well as Demeter knows that Persephone's return is a fact) but she cannot be happy because her possibility of possessing the personal universe of the child has disappeared.In this way, Dove cannot be consoled; there is no pain that can be absorbed, neither the sing of a bird (v.1).
In the first stanza, she clearly exposes that there is no consolation for this sorrow.Even if you try to "make skin sigh, or dispense yellow roses" it does not matter.Yellow roses can represent Hades' betrayal.Or it can represent the apparent friendships of Hades versus Demeter.But really these roses are dispensed.We suppose they are dispensed on the floor, which is part of Demeter's soul.Earth and Nature are linked and they cannot be separated as well as they complete each other.So, "nothing turns the gold to corn" it is a reflection of time.I cannot change time; the poet cannot turn back into the past.The gold, that is Persephone, cannot turn to be a corn, that is, I cannot make time to stop.This is the main conflict of the poet she cannot make her child turn to her belly.There is no solution.Time is the main question here. Eternity, Time, and Earth are correlated to the origin of the world.There is no consolation for my sorrow.
In the second stanza, we arrive to the "volta" of the poem. It says "I will not ask for the impossible/one learns to walk by walking (V.8-).
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