Wednesday, June 3, 2020

Platoon—War Genre

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The genre of War began during the time period of World War I; nations around the world used this type of film to boast the heroes of their own troops, and to make less of their enemy.The concept of the military portrayed in the film Platoon is much like a business in that it organizes its departments into teams to more effectively protect the country.The military uses a hierarchical structure of authority to address issues of leadership, decision-making and power within its organization.The military is also faced with handling the highest levels of conflict that effect team members as individuals and as a whole.


Chris Taylor, played by Charlie Sheen, is a young volunteer who arrives for his first tour of duty in Vietnam, only to find himself in the middle of a control war between his platoon's two sergeants, one who will become a father figure, and the other who is as dangerous as the enemy he's there to fight.Upon his arrival, Chris realizes that his platoon has been slowly splitting into two camps; one led by the rugged, scarred Staff Sergeant Barnes, and the other by the more even-tempered Sergeant Elias.With each new day, the separation of the platoon becomes more evident; the viewer can see very apparently that Chris is struggling to cope with the fighting between his platoonhis words show misery, almost as a plea for help."Day by day I struggle to maintain not only my strength but also my sanity. Its all a blur. I have no energy to write. I dont know whats right or wrong anymore. The morale of the men is low, a civil war in the platoon. Half the men with Elias, half with Barnes. Theres a lot of suspicion and hate. I cant believe were fighting each other, when we should be fighting them."


Another perception that is very evident in this film is that the platoon uses the idea of a pecking order to show the authority of the higher ranks, and the seemingly more difficult hardships of the lower ranks."Fucking guys got years in and he thinks hes Cochise or something . . .politics, man . . .politics." It is apparent even from the beginning that the higher ranked infantrymen treat the lower ranks with much less than deserved respect.They pass the new men and shook their heads, their eyes full of an almost mocking pity, as one soldier says in a joking manner "You're gonna love the Nam, man, forever!"


Throughout the climax of the film, the viewer can easily pick up on the sense that danger is lurking around every corner.This is shown through the fear in the eyes and the voices of the infantrymen."Bob, I got a bad feeling on this one, all right? I mean I got a bad feeling! I dont think Im gonna make it outta here! Dya understand what Im sayin to you?" At this point in the film, it seems as though all the men are out to protect themselves, and not their platoon as a whole.Towards the end of the film, you see more of the Man vs. Man concept, instead of Man vs. Evil, and the confidence and drive of the platoon seemed to break down into individual survival tactics."I think now, looking back, we did not fight the enemy, we fought ourselves. The enemy was in us. The war is over for me now, but it will always be there, the rest of my days."


The genre of War flourished at the start of World War I; this type of movie became very popular and notable around the world.In the film Platoon, it clearly emphasized the hardships and struggles of the men in military life.This was accomplished by depicting the separation of groups within the platoon, the pecking order of soldiers, and the fear and misery seen through the eyes of the infantrymenall of which exemplify the meaning behind a War film.


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