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Kubla Khan
In Samuel Taylor Coleridge's poem "Kubla Khan," Coleridge is writing about the process of becoming inspired to where his imagination can put together all the necessary pieces to form an art. He says that art is only a fragment of a much larger idea, which so happens to be the plane of creativity or one's own "pleasure dome." Even though this dome is Coleridge's dreaming interpretation of paradise, the poem is visionary as it taps into the power of creativity and imagination. The fact that this poem was inspired by a drug-induced dream is one thing, but the dream aspect is more important.Coleridge is relentless in his attempt to recreate his hallucination in order to produce his form of art for others to enjoy. If you actually think about living in the world today without imagination or art, one would have to be a machine due to not be affected by all of the depressing events that go on in the world. This poem goes to show that true artists crave for readers to open up their minds a little more, even if it's for only a couple of minutes. Coleridge also proves that by adding a little imagination, you are not only able to recreate anything, but you can fine tune things to however you want them.
By having the dream's location called Xanadu, Coleridge is giving us the readers, our first piece of evidence that this poem actually takes place in a delusional land. He is also telling us he has quite the imagination and those reading his work should use theirs too. By setting his poem in a dream, Coleridge gives himself a supernatural power to where he can create or destroy anything he chooses at any given time. But in the first stanza, he is just describing his land of paradise for the readers
In Xanadu did Kubla Khan/ A stately pleasure-dome decree;/
Where Alph, the sacred river, ran/ Through caverns measureless to man/
Down to a sunless sea./ So twice five miles of fertile ground/ With walls and
Towers were girdled round;/ And there were gardens bright with sinuous rills/
Where blossomed many an incense-bearing tree…(Lines 1-8.)
Through out this first stanza, Coleridge uses several apparent biblical references in "Alph," "gardens," "tree," and even "river." The word Alph refers to Alpha, or the beginning. The garden can be related to the Garden of Eden, and the tree could be the apple tree from Genesis, the first book of the Bible. He writes about a "sacred river" which could also be tied to several stories throughout the Bible including various events with water. The true reasons he used these words might go unknown, however I believe Coleridge included them in his work to enhance the significance of using one's imagination. For example, by noting that these words have to do with the creation of man, one could assume that this poem's paradise is in fact a more important place than it really is. He is adding his own power by making it whatever he wants, and he does it very cleverly with his own imagination and common Bible knowledge.
By describing these caverns shaped like domes with plenty of greenery to brighten up on one's day, Coleridge sort of scans the area and gives us his train of thought. It appears as if Coleridge is just aimlessly writing, and waiting for something to pop-up into his imagination in order to jump start it even more
A savage place! As holy and enchanted/ As e'er beneath a waning moon was
Haunted/ By woman wailing for her demon-lover!/ And from this chasm,
With ceaseless turmoil seething,/ As if this earth in fast thick pants were breathing,/A mighty fountain momently was forced(14-1.)
This "savage place" refers to the creative state of mind, or even the sub-conscious state, which helps the writer become inspired. Coleridge mentions that it is a "holy and enchanted" spot where everything seems to fall into place for the author. However, in this poem, the inspiration hasn't quite hit Coleridge yet, that is until the images of the moon and the women come into his mind. Soon after they are mentioned, "a mighty fountain" emerges and Coleridge's imagination process seems to have been triggered. These images in the second stanza speak high volumes in the creative process. By just panning his own made-up land, Coleridge had a vision of something that automatically set off his mind to help it write that much easier. Now the imagination can flow endlessly to wherever the writer wants to go. And it is now clear that art is made up of several fragments that are expressed easier by having numerous visions described through out the poem.
It is almost as if Coleridge's imagination transfers into the readers' heads to narrate everything as if he just giving a tour and simply describing the events
Five miles meandering with a mazy motion/ Through wood and dale the sacred
River ran,/ Then reached the caverns measureless to man,/ And sank in tumult
To a lifeless ocean;/ And 'mid this tumult Kubla heard from far/ Ancestral voices
Prophesying war!(5-0.)
His descriptions of everything he sees and feels inside his own mind are extremely vivid as he recalls a mazy path leading into the woods. Coleridge even gives this "Kubla Khan" a voice, speaking of warfare that echoes through out his own pleasure-dome. But the real beauty of this poem comes in lines 5-6 "It was a miracle of rare device,/ A sunny pleasure-dome with caves of ice!" The idea of there actually being a place where the sun can shine and the ice can grace the linings of the cave is outstanding. ; A true touch of the imagination. He continues to see profound visions; "A damsel with a dulcimer"(7), and an "Abyssinian maid" playing a sweet and delightful symphony up on a mountain.
This particular song seems to inspire Coleridge further as his writing gives off a sense of utter joy and excitement
I would build that dome in air,/ That sunny dome! Those caves of ice!/
And all who heard should see them there,/ And all should cry, Beware! Beware!
His flashing eyes, his floating hair!/ Weave a circle round him thrice(46-51).
Coleridge has now announced his exact location for his glorious pleasure-dome to where everyone can enjoy it. The lines can easily be read aloud with the sheer enthusiasm Coleridge shows in his final stanza. His imagination has included even more of his sunny dome and his icy cave to the point where people would realize he is truly experiencing something worthwhile. The idea of a "thrice" protecting him from anyone who might misunderstand him or even interrupt him is definitely a safety device for his sake. But I believe Coleridge is attempting to defend those people who are already in touch with their imagination as they are at often times looked upon as being out of the ordinary. Nevertheless, he is more so trying to open up those minds of the critics, so they can go to their own paradise as well, and not be so quick to judge others.
Coleridge closes his poem with "And drunk the milk of Paradise"(54). In a footnote, the milk is described as having to do with the Bacchic maidens who drew milk and honey from the rivers when they were not in their right frame of minds. Even though the book states that these maidens were under some sort of influence, Coleridge's "Kubla Khan" was just another way of searching for the imagination within one's self. So many people are afraid to be different nowadays, that they have to hold back their dissimilar ideas and opinions just so they aren't made fun of. And I believe Coleridge is truly someone to cherish, because in this particular poem he was not afraid to go outside the boundaries and be different. His intentions were to rehash a dream he had where he came to his own pleasure-dome, and his own imagination helped depict those visions. Despite the fact that he may have had an opium-influenced dream should be looked past, as the true beauties of the imagination are in fact in a Paradise of their own.
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