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Essay on Paired Texts
'The Great Gatsby' and 'Bernice Bobs Her Hair and Other Short Stories'
To what extent did women treat men in similar ways in two of the texts you studied this year?
The central, female characters in F. Scott Fitzgerald's texts The Great Gatsby and Bernice Bobs Her Hair and Other Short Stories are far from stereotypical. The women are not timid housewives, but strong-minded, manipulative women who love being in control. The texts' female characters treat men as objects, which can be manipulated and controlled through the behaviour, speech or tone of a woman. These women have learnt that if they can create the right persona, the male population will be 'eating out of their hand'. The women regard men as 'prizes' that can easily be won all it takes is strategy and practice, and the more prizes they win the better, regardless of who gets hurt in the process.
Two of the women in the texts use a behavioural technique to help them obtain the affections of men. Both Daisy Buchanan (The Great Gatsby) and Judy Jones (Winter Dreams) use 'structured' smiles to gain influence over men; Dexter describes Judy's smile as "less a smile than an invitation to a kiss." Both women have learned of the power that lies in their deceitful and 'fake' smiles and use this 'talent' to obtain the adoration of men.
Many of the texts' female protagonists structure personas to influence men. This involves 'constructing' their speech to increase their attraction and gain affection. In The Great Gatsby, Daisy Buchanan uses a "thrilling" tone of speech that suggests to men "she had done gay, exciting things…and that there were gay, exciting things hovering in the next hour." Daisy's tone influences men to give their affection, even men who are aware of her 'false' personality when Daisy first appears in the text, she greets her cousin, Nick, like there is "…no one in the world she so wanted to see." In Bernice Bobs Her Hair, the extent to which speech can influence affection is clearly exemplified. In the text, the "fairylike" Marjorie Harvey instructs her "sorta dopeless" cousin, Bernice, on the art of 'manipulative conversation'. Bernice puts her cousin's techniques to the test at a social dance; she poses the question, to several men, off whether or not she should 'bob' her hair Bernice ultimately transforms overnight from a social failure to a 'vibrant' success. In Winter Dreams, the "arrestingly beautiful" Judy Jones uses contrived conversation to win the adoration of many men, including Dexter Green. During Judy and Dexter's first 'date', Judy whispers to Dexter, "I don't know what's the matter with me. Last night I thought I was in love with a man and tonight I think I'm in love with you…" The women use 'scripted speech as a 'manipulation tactic' to gain attraction, attention and devotion, in their treatment of men. By constructing their speech, they make themselves appear genuine, trustworthy and available- even though this is usually far from the case. Their speech is a refined art learnt and mastered to ultimately win them power.
The 'treat 'em mean keep 'em keen' tactic is used on men, by several of the texts' female characters. In Bernice Bobs Her Hair, Marjorie is "worshipped" by her young neighbour and Yale student, Warren McIntyre. Despite Warren's deep affection for Marjorie, she refuses to return feelings of the same depth; Marjorie informs Warren that "she did not love him," after she conducted a test to see whether she "…forgot him and had affairs with other boys," when she was away from him. By informing Warren of how 'desired' she is, Warren's feelings towards her are heightened and Marjorie's control over Warren increases. Daisy Buchanan and Judy Jones use similar techniques to draw men in. All three women seem discontent with the affections of a single man and by playing on the 'heard instinct' of men, the women gain the extent of male adoration they seek. The women tend to treat men as a 'whole' rather than as individuals and play control games with both their minds and hearts. They create an aura of intense desirability around themselves, thus attracting many men and giving the women a sense of power. The women manipulate men into believing they 'have' the woman, when she has no real intention of ever returning his degree of affection.
In the two texts Fitzgerald presents women, in married relationships, as having a degree of power over their husbands. In The Great Gatsby, the "hulking" Tom Buchanan is portrayed as being the more physically powerful half of his marriage with Daisy. However, it is evident that Daisy does have control in the relationship Daisy announces that they will be going to Gatsby's party and later proposes a trip into town; both suggestions are agreed to by Tom without question, despite Tom's reservations about both 'outings'. In The Baby Party, John Markey, accepts his wife's order for him to attend a baby party after he finishes work, without question. In The Great Gatsby, Myrtle Wilson demonstrates a more obvious degree of control over her husband. She orders him around in her "husky" voice and gains increased control over her timid husband every time he responds to her orders. The married women in both texts deceive their husbands by playing on the affections of other men; In The Great Gatsby, Daisy flirts with Nick by stating "Are you in love with me." Even though the women may not appear to have physical control in the relationship, they gain control over men by using deceitful, mastered techniques.
The central women in Fitzgerald's texts treat men as easily manipulated objects. They apply their mastered techniques to ultimately win the affection of any man they desire. The women treat men's emotions as prizes that can be easily won, controlled and manipulated through strategy, deceit and 'effortless' charm.
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