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Change in our lives is inevitable'. Change is something that is unavoidable in our lives no matter who we are or where we live. The idea of change is shown clearly through Goldsworthy's novel Maestro, Parr's representation of Duterrau's The Conciliation, and Orwell's novel Nineteen Eighty Four. Goldsworthy displays change through the characters, setting and relationships. Parr shows change through the figures, setting and style or artwork. Orwell presents change through the characters, language and the Government System.
Goldsworthy shows how change is inevitable through two main characters; Paul Crabbe and Eduard Keller. The text proves that change is unaviodable as it is a memoir of Paul's adolescent life through to his development into adulthood. It suggests a journal kept by Paul in his youth by edited by him as an adult. At the beginning of the text Paul is fifteen, arrogant and very self centered. As the text progresses Paul physically, emotionally and socially changes. This is something that Paul himself cannot change as it a part of life. At school Paul was falling love " Megan's desk stood in front of mine and perhaps it was her back that I first loved…", then the feeling of love struck him. His perception of the girl he was once madly in love with changed suddenly, when he realized that he was living in a fantasy world "The sum of all the beauty is somehow less that its parts". This happened because Paul matured, therefore proves that change is inevitable. From this realization Paul builds up his self-confidence and gives Jimmy Pappa's musical advice. This leads Paul to become a member of their band and considered as one of them. Music becomes Paul's teenage rebellion against his parents and Keller because the music played in the band is low compared to the classical music they admire. All throughout the text Paul's ambition is to be perfect at everything he does including music. It is not until he grows up into adulthood that he realizes he has not achieved the perfection he has strived for "Now I was faced with myself for the first time, Paul Crabbe, greying, dissatisfied, fast approaching, mid life…". He comes to an acceptance of this. On the other hand Keller begins in the text as a very remote person. But he has not always been this way, music destroyed his life. He believed that playing for Hitler would protect his family from being executed. But this was not the case; music betrayed him "If you want people to believe your lies…set them to music". This shows that change is inevitable as Keller trusted Hitler and after the tragedy his perception changes and he had to accept that as a part of life. Keller lost all faith in music; he is unable to come to terms with his emotions. Emotionally Keller changes, as he has no longer got the ability to teach with emotion.
Parr displays how change is inevitable through the main figures in the artwork. The National Picture is a representation of Duterrau's The Conciliation. In Parr's representation the use of the central figure is changed to show that the White Man is not the saviour shown in the first painting. The white clothing symbolizes goodness. Instead of this figure being all one picture, there is a sketch of Truganinni's face (last Tasmanian Aboriginal) in their place. The other main figure, the trusting Aboriginal, is transformed into a representative of the Government. He is wearing a suit and tie and is very important. The Aboriginal People, their skins, spears, dogs, and kangaroos are represented as having changed by the concept of land ownership/measured, fenced and barren. This is to show that things could never stay the same and that change is unavoidable. It also shows that change over time is inevitable. Parr is trying to put forward the idea that our treatment of the Aboriginal People has still not changed. Parr is presenting the view that Aboriginal People are accepted by White Australia through our own cultural identity such as football and music. Parr is saying that White Australia is still mothering Aboriginal People and being 'Governors' of their affairs.
Orwell uses Winston Smith to show that change is inevitable. Winston is the central figure in the text and he feels very uncomfortable with the scrutiny and control that he experiences. He is a low ranking official in the Ministry of Truth. At this time everyone's lives are controlled and monitored. In an act of dangerous rebellion he starts to keep a diary of his illegal thoughts, his work involves him altering historical records to fit the Party agenda, but personal doubts are beginning to haunt him. At work he notices a girl Julia who he is attracted to but feels scared to let her know, worrying she might be part of the thought police. Winston often dreams of how he once stole the whole piece of chocolate that was given to his family. Winston now (184) regrets his behaviour. He also sees a link between his behaviour and the behaviour of the children who are educated by the Party. This proves that change is inevitable as Winston has changed his ways as he matured into adulthood. Winston knew that his illegal love affair with Julia was an act of revolution but still he proceeded.
Setting is and important part of Maestro. Goldsworthy has used the cartoon-like world to show that change is inevitable. The text is divided into several chapters; three of seven chapters are given place names as chapter headings "Darwin 167", "Adelaide", and "Vienna 175". These places show changes in Paul's position in the musical world. In Darwin he is at the top of the musical world, then in Adelaide he came third for a music competition and finally in Vienna, which he described as his "precious, priceless, experiences". The miniature world of Darwin created Paul's arrogance, as he thinks he is better than all. However, as he came out into he larger world of Vienna, he realizes that he is only a mediocre pianist. This realization has ended his pursuit of perfection. This shows that change is inevitable no matter where Paul lived.
Parr also shows how change is inevitable through the setting. In Duterrau's, The Conciliation, the background is full of life, it shows the Aboriginal People's love for their land. The grass is green and very earthy. Parr changes this perspective, the background is a lot more barren, in place of grass is cold, grey concrete. The mountains are more cold looking and not welcoming. The whole of the background looks very fake, and there is a cut out dog in the corner. Parr does this to show that the land could never stay as beautiful as it once was and that over time change is inevitable.
Orwell presents the idea that change is inevitable through the language. Through the text Orwell shows that history has been re-written, language has been re-invented as 'Newspeak' carefully eliminating all references to subversion or rebellion. Newspeak is the official language of Oceania and has been devised to meet ideological needs of Ingsoc. In the year 184, nobody really uses this language but it is assumed by 050 that it will replace English. Newspeak is to provide a medium expression for the world-view and to make thought impossible. Newspeak words are divided into three groups; A, B, and C vocabulary. The A vocabulary consists of words needed in business and everyday life for such things as drinking and working. The B vocabulary consists of words constructed for political purposes. The C vocabulary consists of technical and scientific terms. Doublethink is a manipulation of the mind. It makes people believe that the Party is the only constitution that distinguishes between right and wrong. It makes people accept contradictions. This new language presents that change is unavoidable to these people and that they have to accept it when they have to.
Relationships play a major part in Maestro. Goldsworthy presents change as being inevitable through Paul and Kellers relationship. Through this relationship it is easy to get a better insight into their characters. Paul's central relationship with Keller changes as he matures and tries to understand his teacher. Paul's first impressions are shown clearly in the first few lines " The pitted sun coarsed skin- a cheap ruined leather. And the eyes- and old mans moist wobbling jellies". There are many personal themes concerning Paul and Keller such as maturity, self-discovery and quest for perfection. Paul and Keller teach each other about life, love and reality, which bring them a lot closer than when they first met. When Paul realizes that he has not achieved his perfection, he believes that Keller is partly to blame, "In this sense Keller was bad for me, the worst possible teacher revealing perfection to me and at the same time snatching it away". This shows that change is inevitable as Paul and Keller could never stay the same, thinking that perfection is everything.
Parr presents that change is inevitable through the style of the artwork. Duterrau's artwork is a European style oil painting that shows a romanticised view of the re-location of the Aboriginal People by White People. Parr changes this to a life-size photograph. He uses harsh lighting and the background is very fake. The figures are not as free; they are very stiff with no negative space. There is a cut out dog on the side; this shows the reality of the treatment of Aboriginals, their land and their culture.
Orwell shows how change is inevitable through the new Government System. There is two Parties; the Inner Party and the Outer Party. The members of the Inner Party hold high posts in the country. They are filthy rich and have homes that look like palaces. The people of the Outer Party live in dull, grey, old flats. They lack in most essential things due to the war. The Oceania Party dictates the life of the Outer Party. The party of Oceania takes children away from their parents to educate them. The children are taught to report to the thought police if their parents have committed a 'thoughtcrime'. Party members mainly work for one of the four ministries( Minpax, Minitrue, Miniluv, and Miniplenty). Everything people do is recorded on telescreens. They all worship Big Brother. He is not a real person, all present as he is, all powerful and forever watching, he is only seen on TV. To Inner Party members, Big Brother is a leader, a man they can use to scare the people. For the unthinking proles, Big Brother is a distant figure. For Winston Big Brother is an inspiration. Winston is fascinated by Big Brother and drawn to him, developing a hate response that leads to his downfall. Inevitably the people have to accept change otherwise they could put their lives in danger.
Overall, Goldsworthy, Parr and Orwell have all shown that change is definitely inevitable. They have all proved it very clearly through the characters, figures, relationships, government, style, language and setting. All three composers have shown that change in our lives is unavoidable, no matter who we are or where we live.
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