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Design Concept
By Jarrad Carroll
The late 60's. A time of youthful freedom, hope of a better world and joy of living day to day life. The late 60's. A time of countries at war, loss of freewill through conscription and families losing loved ones. The late 60's. A time in which Australia decided to reinvent itself and find it's own identity.
This is the era in which renowned playwright Michael Gow chose to set his timeless classic 'Away'. The play focuses on three relatively normal Australian families in the late 60's and shows the ways in which the current events of the time affected each one. Each family is also beset with their own problems, and as the go 'away' on holidays each family subsequently come to terms with the faults and failings that they find in each other.
Each family's problem is focused on at least one major occurrence of the time, from the Vietnam War, to poor living standards, to the structure of the family unit.
The plague on the family of Jim, Gwen and Meg is the economy. Gwen and Jim were both brought up in a time where money was hard to come by, jobs were unavailable to many and living conditions were poor to most people's standards.By the 160's this time has come to a finish. Jim is successful at his job and Gwen is a typical housewife. Unfortunately though, due to the period in which both parents grew up in, they put economic welfare above happiness. Gwen especially continually puts forward the impression that the only way to show their daughter Meg that they love her is to give her material possessions. This results in Meg seeing nothing but a loveless matriarch for a mother, and a submissive overworked father.
The next family, Vic, Harry and Tom, still suffer from the impoverished society that Gwen and Jim once left behind, but also have much bigger problems on their hands; cancer. Immigrants from England, Harry hasn't been as lucky as Jim to find a permanent, well paid job and instead, both Vic and Harry work in a factory to earn their meagre earnings. Tom has also recently returned from a long stay in hospital where he went through intense chemotherapy that unfortunately only stayed the effects of the disease for a short while. Vic and Harry know that they will someday lose their son to the disease and therefore create as loving an environment as they can muster. Unbeknownst to Vic and Harry though is the fact that Tom also knows that the illness will one day consume him. This brings in the element of "free love" to the play. Tom is told by a doctor that he should have sexual intercourse if he ever sees an opportunity. The scene in which Meg refuses Tom highlights the fact that free love is fading and that societies morals and values are strengthening.
The Vietnam War and its accompanying conscription are the poisons of the final family, Roy and Coral. After the loss of their son as a result of unwilling conscription in the Vietnam War, Coral's mental state deteriorated and she was eventually removed from society for a period of time. In the play 'Away', she has only recently been released from a mental institution, that her husband Roy had had her committed to, and is still trying to cope with the loss. This shows the effect that the Vietnam War had not only on the soldiers who fought, but also on those who were left behind.
I have chosen to direct the first section of Act Scene to direct. This scene will be set in the style of Realism to show how real the family of Gwen, Jim and Meg is and how they can represent the side of a family that usually doesn't make it into the family photo album. This scene shows Gwen, Jim and Meg in a camping ground full of tents and caravans on Christmas morning. The scene opens in an already tense mood as Gwen sets up the Christmas tree outside the caravan. Gwen then proceeds to scold Jim and Meg (who are offstage at the time) for waking up late and complains that Christmas will pass them by. This reflects the fact that women were becoming more powerful in society (also highlighted by the fact of Vic being a working mum).
After Gwen has finished complaining about kids on bikes in the camping ground to Meg (who has come on the stage), a frantic Jim enters and asks about a cardboard carton that has gone missing. Gwen gets annoyed by the fact that Jim is searching like a madman and not getting on with the morning traditions and makes no effort to mask her annoyance. This once again goes to show the matriarchal side of the family that was put in place at the opening of the scene. Gwen has a very powerful presence and prefers to be in control. After pulling apart the campsite in search of the missing carton, Jim finally explains that inside were his presents for his wife and daughter and that he was sure he left it with the suitcases so that it would get packed. Jim's frantic search of the campsite is very reflective of his character. Though he works for a living and spends little time with his family, he is deeply devoted to his wife and daughter, and working is the way he shows that love. The fact that Jim is so intent on finding these material possessions shows that love.
Jim eventually gives up his search in hopelessness. Gwen and Meg then give out their presents. After Gwen making some snide remarks about Jim leaving the presents behind, Meg realises that she saw the carton near Gwen's vanity case. This then leads to Meg starting to accuse Gwen of leaving the carton behind. Eventually, the fight escalates to more than just the presents. Meg starts to accuse her mother of leaving it on purpose and how stupid some of the traditions that the family share are. Gwen then becomes angry with Meg, baffled by where her new found independence has come from and accuses Tom for it. Gwen also goes even further and starts an angry bitter fight with Meg about what type of woman she's becoming. Gwen goes as far as to list attributes of the woman Meg is becoming, attributes that she states no one likes, but yet is oblivious to the fact that each one of those attributes is one that Gwen herself possesses.
The scene finishes up with Gwen storming out, claiming that she needs a powder, a trait typical of Gwen's character throughout the entire play. Jim then has a quiet talk with Meg and explains to her the conditions her mother grew up in, and why it seems so important to Gwen that Meg never have to be in the same position. This once again shows Jim's love and devotion to his wife, while at the same time trying to keep in touch with his daughter.
Gwen
Clothing In this scene, Gwen will be dressed in a simple white blouse, and a long flowing skirt tie dyed light and dark blue. The skirt has a dual meaning. Not only does it show the time period in which they are in now, but also shows the unpredictability and turbulent nature that Gwen possesses.
Speech Most of the time, Gwen speaks in a fast paced, sharp and accented tone. This shows her impatience with everyone around her and the fact that she wants everything done right and exactly as it's been done before. The accented tones are to show that she expects everyone to know what place they are in and what the should be doing. Movement Gwen either moves with grace (to show that she likes perfection) or with speed (for when she either tries to avoid things or gets annoyed with things).
Jim
Clothing Jim is dressed as a plain man. He wears fairly short stubbies, a tucked in polo shirt and a bucket fishing hat. The fact that Jim is dressed in fairly commonplace and plain clothing emphasised the fact that he is a typical father figure. Jim loves his wife and daughter and would do anything to make them happy.
Speech Jim generally speaks with either a hint of hopelessness in his voice (when he feels he has no control) or out of love (when he reminisces about his wife).
Movement Jim generally doesn't move too much unless he's told to do something or feels he has to in order to keep order. Though he moves frantically in his search for the carton, after he sits down, he only moves to try and break up the fight that has begun between Gwen and Meg.
Meg
Clothing Meg is dressed in only slightly less conservative clothes than her mother. A simple no sleeved black shirt and a short, knee length skirt is all she wears. This is to show Meg's desire not to become her mother by use of opposite colours and shorter styles. It is also to emphasise the moving away from the styles of the older generation by the newer generation.
Speech Meg speaks with disregard of what people are actually saying. As with most teens in just about every generation, she doesn't particularly care what her disliked parent (in this case, Gwen) is saying, but tries to get involved when her loved parent (Jim) is saying something. Meg also speaks out of spite to her mother during the argument.
Movement Meg only moves with purpose, realising that unless there's a reason to go somewhere that she doesn't really have to go there.
Set Design
The design of the set is fairly simple for this scene, as to not take away from the conflict between Meg and Gwen. There is a simple backdrop showing a generally blue sky with emerging dark clouds in the distance with pictures of caravans and tents, but no people (to show that these three are in their own little world at this time). There is a cardboard caravan side with a door and some stairs as this is where Meg and Jim enter from. This is placed back centre stage. Around the entrance to the caravan there are two chairs (one to the left of the door, one to the right), a few bags and camping supplies (riddled around the area for Jim to search through) and a Christmas tree (that Gwen brings in and places centre stage).
Lighting
The lighting for this scene is three plain coloured spotlights (one front stage left, one front stage right, one front stage centre) all directed towards the stuff outside the caravan (centre stage). The reason the stage is not flooded is again to show that the family is isolated to itself.
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